Weekend Events Roundup: Public Apology Edition
By CHRIS PACKHAM
Look: We admit it. We were scooped by The Kansas City Star Thursday so forcefully that a tiny, vital part inside of us broke. Now we can feel it rattling around inside, like a cigarette butt in a beer can. I’ve personally apologized to our entire editorial staff for the complete failure of The Pitch's Night & Day section to highlight what is obviously the biggest entertainment story to hit Kansas City since marshmallowy singer Garth Brooks occupied the Sprint Center for a record-setting nine nights. Note that I’m using the word occupy the same way that hippies were described as “occupying” university administration buildings, often while wearing nothing but hemp sandals. Like the hippies, Brooks had to be forcibly dislodged by a hail of obsessive Timothy Finn blog reviews. And come to think of it, we totally missed the Garth Brooks story, too. So we’re 0-2 on this whole thing.

You win this round, Kansas City Star Preview section. Tonight, the 2006 Disney sensation High School Musical makes its Sprint Center debut translated into the girly idiom of figure skating — as clearly pictured in this huge image, reproduced in color at enormous expense, on the cover of yesterday's Preview section.
Adapting classic works for ice makes them that much better, the same way that reinterpreting Star Trek in the idiom of teddy bears adds layers of semiotic complexity to the glass case where your grandma keeps her Hummel figurine collection. Though I am forced to follow the example of the Kansas City Star Preview section in explicitly recommending High School Musical: The Ice Tour to readers of The Pitch, I would also like to point out that the excellent pun in the Preview headline, “High School Musical: The Ice Tour Is on the Rink of Success,” is followed up by this amazing play on words in the subhead: “Disney’s super franchise shows no signs of melting down anytime soon.” Then, inside, I found the headline “Ice Cool Musical.” While we’re doing our Daniel-san wax-on, wax-off in Preview’s backyard, hopefully Preview will also teach us which odd jobs will give us the muscle memory for crafting puns.
Shows are at 7 p.m. Friday; 11 a.m., 3 p.m. and 7 p.m. Saturday; and 3 p.m. Sunday.
It seems really weird that other events are happening on the same weekend — mostly on regular-friction terra firma rather than ON ICE! But outside the Sprint Center, things are proceeding pretty much normally. On Saturday alone, you can see:
Sterilize Stereo, American Catastrophe and Red Water Revival at the Brick (1727 McGee, 816-421-1634)
Hopeless Destroyers, Young Livers, the Rich Boys and Brutally Frank at Davey's Uptown Ramblers Club (3402 Main, 816-753-1909)
Electric Six, Willowz and We Are the Fury at the Record Bar (1020 Westport Road, 816-753-5207)
Ad Astra Per Aspera at Love Garden Sounds (936 ½ Massachusetts, Lawrence, 785-843-1551)
It's like they didn't even realize that High School Musical on Ice was getting "Japan Bombs Pearl Harbor"-grade front-page status in the Preview section. Maybe the bands will get some small turnout of their most hardcore fans.
Finally, after the prolonged weekend of rocking, you might consider attending the free screening of the 1980 East German film Solo Sunny at the Kemper Museum of Contemporary Art (4420 Warwick, 816-753-5784) as part of the Behind the Wall Film Classics Series. I'm assuming that you somehow didn't manage to get tickets to every single performance of a certain lip-synced ice-skating extravaganza and you still need something to do. The film, which screens at 2 p.m., was the recipient of the coveted Silver Bear Award, which was the rickety and unreliable Party-sanctioned version of the Oscar, kind of the Yugo to the Academy Awards' Gran Torino. It addresses the longings and frustrations of German youth at the time — much the same way that High School Musical on Ice addresses the hopes and dreams of privileged Western kids on a smooth, Zambonied expanse of ice.
As a final act of contrition and an apes-in-the-wild display of submission to The Kansas City Star, I have crafted the image at right. Like a disgraced Japanese business executive in a movie caricaturing Japanese business culture, I now end my period of public self-flagellation.
I hope to demonstrate better judgment in the future.



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We’ve put a dunce cap on him and
The problem is that the keycard data is faulty. That’s clear by the fact that on some days it shows Kline coming in but never leaving, or vice versa. The keycard data also wouldn’t track Kline’s movements if he parked elsewhere or rode to work with someone else. Insiders in Kline’s office have told The Pitch that Kline sometimes hitches a ride to work. Also, there are several weeks of missing data, because the county says keycard information is routinely purged from the system. So it's impossible to tell which days he actually shows up by using the keycard documents.
I think it was Ludwig von Mises, considered by many to be the greatest economist of the 20th century, who said, “It’s the goddamnedest thing when the subprime lending market collapses and your mortgage division hemorrhages money for months on end and then your shareholders overwhelmingly reject your leadership by voting for dissident board candidates. Fuck.”
Besides the ass-busting effort required to mount a traditional Thanksgiving dinner, is there any particular reason why turkey, mashed potatoes, yams, cranberry sauce and pumpkin pie are only served in November? That’s my favorite kind of question: The kind that answers itself, freeing me up to spend more time on the things that matter, which, this weekend, will be drinking.
At 10 p.m. on Friday, hit the Karaoke Ball at
When anyone asks me the question, “If you could live your life as somebody else, who would you be?” the answer that immediately springs into my head is “A really hot chick.” But the one time I actually said it out loud, I totally came to regret it. So now I usually say I’d like to be Frank Sinatra, because what an unbelievably awesome life he led. Although I’d like to skip the final succession of heart attacks, please, if that’s OK.
No matter which radio station you listen to, all the music getting airplay these days has something in common: the songs eventually come to an end. The “weedla-weedla” guitar solos and similar forms of musical self-indulgence from decades past are increasingly rare. There’s nothing I like more than a good jam band, unless you’re talking about cherry pie, the undisputed king of pies. But anyway. The 


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In John Updike novels, the characters never go to anyplace real like McDonald’s or Circuit City; they always go to made-up places like “Burger Land” or “World o’ TVs.” That disconnect creates a kind of fictitious fantasy world, like Middle Earth with basketball and suburbs. It’s kind of like putting ironic quote marks around real life, and then adding a bunch of golf and adultery, which is how John Updike books are written.
Tomorrow night's ninth episode of the Garth Brooks Down Home Country Jamboree will be broadcast live from the Sprint Center to 300 movie theaters around the country for the benefit of people who are into watching concerts by proxy in movie theaters. Ordinarily, we’d make fun of this kind of person by resorting to a crude stereotype, but literally nobody we’ve ever met or heard about would ever pay money to watch a projected concert on a movie screen. It’s something that lies at the edge of imagination, like some kind of H.P. Lovecraft Color Out of Space deal.
Television is dead. The first writers strike in 20 years has ended production on every show that we’re willing to admit still matters, so — other than an 
The hot-stove talk says the Royals are interested in 




